There’s an indoor playground, the Bear House, where children can climb and play and be active. We have recreated what Masha’s environment looks like. We meet Masha, the star, and the Bear in every scene, having fun with their friends. “It is really truly a journey through different seasons. “I won’t detail all the scenes, but there’s a winter scene. “Masha has a magic wand and is flying through the air there is a moon projection – and lots of pumpkins,” says Lange. The journey progresses to the show building: With the prevailing climate conditions here, it isn’t possible to have complex animatronics with a silicone skin.” Building a show “It was tricky to find the right scale so that they wouldn’t look too big and scary,” says Lange. The static and animated figures of Masha and her friends throughout the new land at The Land of Legends are made of fibreglass, by MK Themed Attractions. We have added big artificial trees, with orange and yellow leaves, mixed in with the real landscaping, and lots of pumpkins.” “You start in Masha’s house, which is the queue line,” says Lange. It was he who came up with the concept of a journey through the year’s seasons: ![]() For this, Lange worked with a colleague, David Weiss of Flying Doghouse Productions, Inc. Working out how to turn countless hours of episodes into an engaging narrative that remained true to the IP was a challenge. This all enhances the storytelling.” Creating an engaging narrative A light-controlled area allows us to tell a story in a different way there is a scene using UV, there is projection, and a lot of media effects. “A third of that ride experience just lends itself to indoor spaces. Here, with the bright sun, it’s very hard to create different environments. It was quickly clear that we would need to go inside to tell the story. I started by playing around with the layout, using an almost triangular piece of land to squeeze in a boat ride. For example, we later added food and beverage. “It has been added to as we have gone along. The project evolved during the development process, Lange says: “To push The Land of Legends into the theme park category, we wanted to have a longer experience. “They are also relatively short you queue for a while, go on the ride, then you’re done with the experience, which is typical for an amusement park. “They are very much thrill-seeking rides,” says Lange. The existing Land of Legends park has a 200 ft hypercoaster by Mack Rides, and an Intamin water coaster, the ‘Typhoon.’ Masha and the Bear, Lange points out, is in their DNA. The Antalya region attracts a large number of Russian visitors. The studio was, Tezerdi says, impressed: “They were also extremely cooperative throughout the construction time, over all the details.“ We met with Animaccord Animation Studio, and explained our vision about what The Land of Legends wanted to create as a themed zone.” ![]() “It is among the top five brands in Turkey, for most watchable episodes and for consumer brands. “Masha and the Bear is a very strong IP throughout Europe, and all over the world,” says Tezerdi. The choice of IP was a decision made by Hande Tezerdi, Rixos Group’s Business Development Director, and the Board of Directors. There is a joke in Turkey: in former times, if we wanted to build a road, we would release the goats or the donkeys, then follow them to see where to build it.” “We buy the rides first, then do the development afterwards. “In Turkey, from time to time, we follow different methods from the rest of the world,” says Çolakoğlu. “One that was supposed to be a storytelling boat ride, and one a typical splash pad where you shoot water. “When I joined the project, the decision had already been made to buy two water rides,” says Lange. “Once we’re done with 670,000 square meters of land use, this is going to be a complete theme park with more hotels, a waterpark section, a dry park section, a themed dry park section, and so on.” New water rides “This is what we are doing,” says Çolakoğlu. Having completed the retail and hotel elements, and the waterpark shortly afterwards, the ‘dry’ sections of the theme park needed to be added to dispel the idea that The Land of Legends was primarily a water park, albeit a world-class one. We paid lots of visits to theme parks as part of this.” In the process, we became familiar, with the help of consultants, with how to build a theme park. “Once the master plan had been done, we preferred to start construction not with the theme park, but with the hotel, and then the waterpark, because these were areas in which we were experienced. Ahmet Çolakoğlu says, “At the beginning, we had a master plan that was prepared by JRA.
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